DRESDEN on Tour (select dates w/ Tragedy, ATU, Deviated Instinct

•May 14, 2012 • Leave a Comment

 

 

Wisconsin crust punk crew DRESDEN will be hitting the road later this month, burning their way through their native Midwest and out towards the coast. The band’s M.O. is a powerful mixture of D-beat hardcore and powerful punk imbued with a vicious intensity that comes from their depth of experience playing in bands like WARTORN, DESPITE, IN DEFENCE, FALSE, and REMISSION. Along the way, DRESDEN will be joining forces with Profane Existence cohorts and legends in their own right DEVIATED INSTINCT, ANTISECT, WARTORN, APPALACHIAN TERROR UNIT, and TRAGEDY. Don’t miss out on these gigs – blood will be shed, cities will be leveled, justice will be served.

DRESDEN ON TOUR

MAY 18th   Madison WI @ Subvert City

May 19th Chicago IL    @ Blackwater Records w/  Wartorn, Tragedy

May 20 Appleton WI  @ Yer Casa w/ Tragedy

May 21 Huntington WV  @ TBA w/ ATU

May 22nd Philly   PA @ TBA w/ Spent Flesh

May 23rd Boston MA @ O’Brien’s Pub

May 24th Hartford CT @ The Whitney House w/Consumption

May 25 NYC @ Acheron w/ Deviated Instinct, Nomad, Koward

May 27th Pittsburgh @ The Shop w/ Deviated Instinct, Wrathcobra

MAY 28th Cleveland Oh @ Now Thats Class w/ Deviated Instinct

May 29th   Detroit MI  @ The Corktown Tavern w/ Deviated Instinct

May 30th Chicago IL @ Ultra Lounge w/ Deviated Instinct, Coelacanth

May  31st Minneapolis, MN @ Medusa w/ Deviated Instinct, Kontrasekt

June 1st  Winona MN @ TBA

June 2nd  Duluth MN @ TBA

June 3rd  Minneapolis, MN @ TBA  w/ WARTORN, ANTISECT

Follow Dresden on Facebook

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PROFANE EXISTENCE…MAKING PUNK A THREAT AGAIN

 

http://profaneexistence.org/

http://profaneexistence.com/

https://www.facebook.com/ProfaneExistenceOfficial?ref=ts

http://twitter.com/#!/profanexistence

 

HONDURAN…The Definition of Power-Violence

•May 5, 2012 • 1 Comment

 

Recently I reviewed the latest release from Portland’s Power Violent HONDURAN (read the review here).  That spinning piece of black wax was my introduction to the these elite hit squad of brutality.  The record left a mark on me and I knew immediately that I needed to reach out to these dudes to get the lowdown on all things HONDURAN.  Jason, Corey and Kevin were gracious enough to lend me some of their time and insight. (JoshMosh)

 

Recently I reviewed the latest release from Portland’s Power Violent HONDURAN (read the review here).  That spinning piece of black wax was my introduction to the these elite hit squad of brutality.  The record left a mark on me and I knew immediately that I needed to reach out to these dudes to get the lowdown on all things HONDURAN.  Jason, Corey and Kevin were gracious enough to lend me some of their time and insight. (JoshMosh)

 

ThrashPunx: Why the name HONDURAN? It gives off a cool vibe. What does it
mean to you?
Jason: Settling on the name HONDURAN was a lengthy process cause originally it was supposed to be a completely different band with different people and we had many talks about whether or not the name was “appropriate” considering we’re 3 white dudes from America. I initially just thought it sounded cool and had a kind of dark, looming effect when spoken. Then I started thinking about why I had that reaction to it and it basically boils down to fear of the unknown outside of the American bubble we all live in. Anything foreign or unknown is scary in a way or somehow presents a threat, initially. It’s all based in naivety and ignorance, of course. But yeah, the name sort of morphed into a constant reminder that there’s a world outside of the US and we need to be aware of that.

Corey: Jason had three ideas, that one was by far the best.

ThrashPunx: You’ve done some touring…Even played here in Denver
I think…What are you plans? Any future tours lined-up?

Jason: We’re heading to Seattle and British Columbia later this week for a 5 day jaunt. We’re also planning a 2-3 week US tour later this summer that we hope gets us as far as Texas and possibly the Midwest. And Denver is one of our favorite places so hopefully we’ll see you there.
Corey: ‘Sup Denver?

ThrashPunx: Define Power-Violence and how is it different from Crust or Grindcore?

Jason: Everyone has their own opinion on this but Power violence to me is Charles Bronson, MK ultra, spSzz, 97a, Crossed Out, Dropdead, Godstomper, Magnum Force, Final Draft, ACxDC…you know, hyper fast hardcore. Crust to me is mostly repetitive d-beat laden metal punk like Ictus, Pisschrist, Hellshock, Amebix, etc. grind to me is very similar to power violence but played even faster and has more metal tendencies. Bands like Discordance Axis, Noisear, Wormrot, Hutt,Superbad, PLF, etc. there are too many bands in each sub-genre to name but I’m a big fan of it all and I think our band incorporates elements of each but wouldn’t necessarily label us as one or the
other.

Corey: Iron Lung. It’s different because other bands aren’t Iron Lung.

Kevin: I don’t know. I had never even heard of power violence before
I joined this band

ThrashPunx: What were the last 5 bands played on your ipod or where ever? No
cheating, even if it was lame fess up!
Jason: I’ll list the next 5 bands that play as I finish answering these questions: Godstomper, Screeching Weasel, X, Frank Sinatra, Violence of Humanity

 

Corey:…And You Will Know Us By The Trail of Dead – Madonna,Dead Language LP, Torche – Songs for Singles, Tellusian – Scania EP (on repeat),a cassette tape of my friends’ band Emowar
Kevin: Ozzy, Kurt Vile, Arvo Part, Swans, Ice Cube.

ThrashPunx: PDX has always produced amazing bands. Why do you think that is?

Jason: It’s a very open, artsy fartsy kind of place. The town promotes and embraces the weirdest shit ever, so bands and artists in general probably feel less hindrance and more acceptance when it comes to their fucked up vision of what music is. So some gems come out of all of that experimentation. Plus there’s an abundance of amazing musicians. That always helps.

Corey: Good weed.
Kevin: I think part of the reason Portland has produced amazing bands is the variety of people who have come here from all over the country. I’ve been in a few bands here, and none of them had any members who were originally from this area. The other part might be the fact that 8 months of the year are miserable and there is nothing else to do.

ThrashPunx: With so many rad bands from so many sub-genres is there a strong sense of unity or is everything dis-jointed and cliquish?

Jason: There’s a good bit of both but I feel more unity than cliquish-ness. There are a lot of odd bills being put together here,meshing all sorts of genres out of the simple fact that everyone knows everyone else and they want their bands to play together. It’s amazing.
Corey: Flagstaff, AZ, where I’m from, is a smaller town so genre-mixing is unavoidable. I’m happy to see more of that here. We’re all in this together.
Kevin: There are certainly scenes here and certain groupings of bands that tend to happen more often, but I have never felt that it was extreme or detrimental to the music scene as a whole. As a heavy band we have played some fairly eclectic shows with other groups from different backgrounds and the response has usually been really
positive, so I think people here are willing to mix it up.

ThrashPunx: Portland is known for “hipsters”, hell they have even made a TV show about it. Is that a fair assessment?
Jason: Yes, it is a fair assessment. They’re everywhere.

Corey: It’s funny because the Portland I know is crusty basement
shows, shitty temp jobs, and endless rain. It’s a cute show but
Portland hipsters have nothing on LA/NY hipsters.

Kevin: Someone called me a hipster once when I was walking down Burnside and I thought it was strange because I was just wearing jeans and a flannel shirt, so I’m not even really sure what that word means at this point. I also heard someone refer to a Portland band as “hipster-metal”, and I just wasn’t even sure what to think. I don’t know if it is about clothing or music or what. It seems like the word has become a catch-all for various things that people dislike, and there doesn’t seem to be a lot of agreement on what it even refers to specifically. I will wear the shit out of a flannel in the winter though, sometimes the same one all winter. So I think that just makes
me a slob.

ThrashPunx: I know several people that have moved from here to Portland even. Do you welcome them with open arms or should they stay home and contribute to their own scenes?

Jason: I’m not originally from Portland, so I definitely welcome them with open arms because I was one of them 8 years ago. All 3 of us grew up somewhere else. myself in Virginia, Corey in Arizona and Kevin in Michigan. The ongoing joke here is when you meet someone the first question you ask is “where are you from?”. I can probably count all of my friends that were actually born and raised here on two hands, which is weird to say but it’s true. As for staying home and helping the local scene, I say do what you want. Some folks have wanderlust and some don’t. some People grow up in shitty places with no scene and no options, so they feel they should leave. but If you love your hometown and scene, stay. Simple as that. I’d actually like to hear an answer from a true Portlander on this question.
Corey: If some people didn’t stay put there wouldn’t be any where to
go play shows, so I guess I’m for that.

Kevin: Nobody can give anyone grief for moving to Portland since we
have almost all come here from other places anyway. It is a city of
orphans and transplants. I only know a tiny handful of people who were
born here.

ThrashPunx: Lyrically where does HONDURAN come from? What are you trying to get across in your lyrics?
Jason: The topics for me vary between historical atrocities and how
to learn from them, current events/social commentary to what the future holds for us all. Some examples are “protect the soil” which is about a pole shift and the aftermath, to “live fast, die you” about a fictitious civilization on a fictitious planet that’s been wiped out(which could be earth at some point), to “hiding from the idiots” about people that focus their intellect and efforts on trying to control everything and everyone around them because they want the world to be perfect for them and only them, to “never forget or
Benjamin Bratt was there, where were you?” which is about the native American occupation of Alcatraz from 69-71.

Corey: The music comes first and then I sit down and write the lyrics in one go based on how the song makes me feel. My lyrics tend to be more abstract, stream-of-consciousness musings on futility, working man blues, and what maybe lies in the ether.

ThrashPunx: Who is your favorite band of all time and why?
Jason: Screeching weasel with Jughead cause they were fun as shit and had the best solos ever.

Corey: Mastodon before they started singing. When I heard that first 7″ I was tripping. Heavy without being generic, technical and catchy without noodling, and just crushing overall. It was exciting. That band also comes from touring the same DIY network that friends have toured,that Black Flag started, and they hit the road hard and put in serious work. I have mad respect for that band still but I could only make it halfway through the latest album.
Kevin: My favorite band of all time is The Cure. The “why” part of that question is tough to answer, but it is mostly nostalgia.

 

These dudes still use myspace!  http://www.myspace.com/nothonduran

 


DEVIATED INSTINCT US TOUR!!!!! I’ll be at Chaos in Tejas…woo hoo!

•May 2, 2012 • Leave a Comment

CLINGING TO THE TREES OF A FOREST FIRE…due to the long name there is no room to write something clever

•April 30, 2012 • Leave a Comment

CLINGING TO THE TREES OF FOREST FIRES –Visceral 10”

 

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C.T.T.T.O.F.F has progressed with every release and perhaps matured a bit. At first I was going say mellowed but the opposite is true in fact. This ten inch record boasts a more straight forward expenditure of distorted torment then their previous releases. What I noticed is they seem to have stripped off a bit of their techie side on this wax. Clinging replaces that loss with a more straight lined gloomy, grinding assault. I was kind of expecting a more tech feel to the overall flow but was pleasantly surprised by the rich grooves that were supplied instead. What Clinging does is delve more into the sludgy under belly of doom which is very apparent right off the bat as bellowing drums and distorted feedback start the rising cauldron of symphonic destruction.  Some of Visceral just charges straight into your face, like one of my favorite tracks Biracial. After a cursing tirade, Biracial surges forth with crusty appeal. Ethan barks and screams in fits of vocal madness as the flesh from his throat is torn asunder.  He manages to give some dynamics to the range of his vocal discharge. Adding an array higher pitched screams along with his lower bellied growls. As a lead singer he strays away from any mono-toned drudgery that tends to ruin a good grind band for me. I believe he is not only the lead singer but also the lead guitarist on this recording. They seem to have shrunk down to a trio but have only gained in sound. The liner notes, artistically, are killer. They are chaotic and evil as all hell just like the band. But strangely it does not fit into the record sleeve, it is too big. If you aren’t mad about it by the end of this record, then all you need to do is read the liner notes. They inform you to fuck off unless you are from a few chosen cities. Their home town of Denver doesn’t make the list, dang!(Attucks)

 

http://www.prostheticrecords.com

 

Prosthetic Records

 

11664 National Blvd. #413

 

Los Angeles, Ca.

 

90064

 

MOMENTUM…Keeps on Keeping on…

•April 29, 2012 • Leave a Comment

MOMENTUM-Whetting Occam’s Razor 12”

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The first thing that I noticed about the album is the back cover art work because I have it tattooed on my side, under my ribs. To me, that is a plus because I know what that etching is. It is what Carl Sagan and Ann Druyen created to represent the human race and show our place in the solar system to aliens. It was placed on the Pioneer 10 and 11 and shot into space. Good, I am stoked that I am about to spin a record that has something intelligent to say. As I put the needle to the groove I am entranced by a real light guitar melody, which is accompanied by a bit of the man himself, Carl Sagan. I have to dig that because I have Carl Sagan tattooed on me as well and he does deliver the intellectual goods. I was delighted that Momentum delivers a great message as well, one that can never be reiterated too many times. That message is one of autonomy and a realization that we are all part of each other making us all part of the same planet, solar system and the stars beyond. And that we must change or suffer. This heavy socio- political message is layered atop melodic hardcore that cuts with a slight metallic edge. Pounding d-beat drums lead the charge but do not limit the sound. The drummer utilizes everything in his arsenal even busting out a couple of blast beats. Mixing that with the musicianship of the string section makes Whetting Occam’s Razor a very dynamic record. Crescendos that rise to head shattering levels just to be brought back down to very minimalized dirges that snap to a stop then thunder back in all at once. London’s Momentum does deliver a great message but it is almost impossible to get since the lyrics are printed microscopically in black ink on dark grey paper. It started to give me a headache and I sadly had to give up. But if you have the patience and a good light with a magnifying glass, it is worth checking out. There is a cool little blurb after each song that talks a little about the politics behind the jams. The mix is straight forward and lacks any muddiness that can come with such epic tuning and distorted walls of noise. All of the instruments translate well across this heavy piece of wax. And a thick piece of vinyl it is, maybe 180 grams. You can tell these guys are old pros and it turns out that they come from some other bands that have made quite a name for themselves such as Light Bearer and Fall of Efrafa. Actually this reminds me of Fall of Efrafa’s record Owsla a little.  If you’re having a political, melodic hardcore jones this will surly sate your appetite. (Attucks)

www.facebook.com/MomentumHC?sk=info

Halo of Flies

www.halooffliesrecords.com

 

IGNITOR…Ride the tiger, long live heavy metal!

•April 27, 2012 • Leave a Comment

 

IGNITOR Year of the Metal Tiger  CD

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IGNITOR play Heavy Metal…Word.  And they do it well.

Fronted by Jason McMaster (DANGEROUS TOYS, WATCHTOWER) IGNITOR subscribes to the JUDAS PRIEST school of Metal delivering their goods in 7 songs that stop shy of being down right infections. Because this is so well done I am having a hard time pinpointing exactly what might be holding them back from just ripping my face clean off my skull.

The music is full-speed-ahead heavy metal that rarely veers into any sort of sub-genre, just straight up molten metal.  The guitars rip through the air like precision lasers trained on your fricken’ ear drums.  A solid rhythm section lays down the ground fire clearing the path for metal.  The drumming stays behind the beat for the most part, darting out here and there only to take cover again.  This tactic is very successful and keeps things from getting too busy.

I guess that leaves the vocals.  When McMaster tries to do his best Halford imitation it only seems to work in small amounts.  On some songs he tries to keep this high pitched screech up for the whole jam.  The problem might be that he just doesn’t have the pipes for it anymore and sounds sort of blown out and strained.

What made JUDAS PRIEST so great is where many bands suffer.  Even on their most pile driving metal assaults they always managed to work in a pop hook that keeps every song interesting, memorable and different from the last song.  This is, again like many other bands, is something that IGNITOR is not able to quite pull off.  That’s why PRIEST is able to write and infectious song while most others just can’t get it to click.

The lyrics follow the MAIDEN school of being somewhat educational as they topple somewhat historic times and events with songs like ‘Shadow of the Needle’ and ‘The Kaiser’.  That’s not to say though that they don’t know how to have fun.  The song ‘Heavy Metal Holocaust’ starts off with the line “Ozzy Osbourne sold his soul to the Devil” and goes on to tell a story of Heavy Metal triumph that would make Jack Black proud.

This CD is a fun headbang but it will be difficult for IGNITOR to really stand out in today’s overpopulated world of Metal. (JoshMosh)

VINYL RULZ!!! My latest scores of (mostly) black (sometimes colored) wax!!!

•April 25, 2012 • Leave a Comment

 

So I picked up a few things at Record Store day this year.  A couple of promo items for the big day as well as a few classic LPs.  It was nice seeing the record store so busy.  Even kind of felt bad for the hippy all bummed out that the PHISH release was all sold out.

CAUSE FOR ALARM s/t 7” – Classic early NYHC.  This is a repress of this highly sought after 7”, and it is on red vinyl.  Incredibly influential band…C’mon, AGOSTIC FRONT even titled an album after them!

OZZY OSBOURNE  / Believer (live) 7” picture disc – Classic Ozzy from the Randy era and as a tribute to the guitar legend it is a polka dot picture disc.  Pretty cool.

BLACK SABBATH / Eternal Idol – Was never really a fan of the Tony Martin era SABBATH stuff but after reading Tony Iommi’s book I gained a new respect for the overlooked albums and singer.  The song the shining, although pop-hook heavy, is badass.  The rest of the album is quality hard rock/heavy metal.  Hard to find on vinyl!

BLACK SABBATH / Technical Ecstasy – I have this on cassette so I thought it was time to replace it with the vinyl.  This is probably the worst album of the Ozzy years, a few good songs but only really necessary if you are a die-hard SABBATH fan.

BOSTON / Don’t Look Back  – In the early 80’s before I discovered Heavy Metal I was really into KISS and BOSTON.  For me it was BOSTON’s sophomore effort ‘Don’t Look Back’ that hooked me on this band and their early efforts.  Don’t get me wrong, the first album is essential but this was my introduction to them as heard from a cassette that was left behind by a friend of my parents.

I hit the Profane Existence sale again and picked up these beauties:

DESCENT TO HELL – Brutal metallic crust…Right up alley.  What I really like about these guys is that they are not all blown out and really embrace their metal influence.  The vocals are hard yet, for the most part, decipherable.  There are gang choruses and ripping guitar leads.  Right on!

GOVERNMENT ISSUE s/t first LP – By this time the band had already started to stray from straight up hardcore but there is something to be said for those LPs (this one, Joyride and Crash).  They were different, catchy and really remind me of a particular time in my adolescence.

AMEBIX / Knight of the Black Sun 12” single – When this was first released I didn’t think it was worth the money.  1 song…really?  Especially since the song was going to be included on the full length anyway.  But now that the price had been slashed to $5 how could I resist?  Plus the B side as a really cool etching of the Crowley/AMEBIX face.

Other stuff I’ve grabbed:

SEX PISTOLS / Never Mind the Bollocks – This came up on my Ipod and I realized two things: 1)I hadn’t listened to this in about 20 years and 2) It kicks ass!  So it was off to Black N Read to seek out a vinyl copy.  Low behold I scored it on pink vinyl.

CRUDE SS / Who’ll Survive 7” – I buy records from this dude in Europe often enough and this was on his recent list.  A repress but still hard to come by, especially for the price I picked it up for.  Classic Swedish hardcore punk.

News!! Deviated Instinct LP!, Ramming Speed, ATU, Satanic Malfunctions

•April 20, 2012 • Leave a Comment

Profane Existence sez:  That’s right 80’s stentchcore legends are back with their first new LP in over 15 years! Deviated Instinct is heavier than ever. The LP is at the pressing plant right now. We hope to have this it out in time for their US Tour with DRESDEN. More info coming soon.

 

RAMMING SPEED: Recording New LP with Kurt Ballou, Kick Off Tour w/REVOCATION & Cannabis Corpse This Week!

Rock ‘n roll metal punks RAMMING SPEED are the living, breathing, beer-swilling personification of the ol’ chestnut “no rest for the wicked.” These Boston bruisers have just completed a 9 day stint at Salem, MA’s Godcity studio with legendary heavy music engineer Kurt Ballou (Disfear, Back Breath, Converge, Kvelertak). The results are 13 track LP, entitled “Doomed to Destroy, Destined to Die”, which will be the ‘Speed’s long awaited sophomore full length. Three years in the making, the new album will showcase the band’s efforts at refining their amalgam of d-beat hardcore, thrash, classic rock and grind. The new riffs are both memorable and punishing, offering heaps of dual guitar harmonies and solos alongside furious blasting and enraged vocals.

 

APPALACHIAN TERROR UNIT tour dates:

JUNE
5 Pittsburgh PA @THE SHOP -With- ANTISCET / RATFACE / SHADOWS / LIEBSTOD
6 Chicago IL @ Archer Nemesis / Rancho Huevos
7 Madison WI
8 Appleton WI @ the Poison Estate with CHOOSE YOUR POSION
9 Minneapolis @ BRICKMANIA WAREHOUSE
10 Lawrence KS @ The Overlook
11 Denver CO @ Blastromat
12 OFF
13 Bremerton WA @The Charleston -With- THE ASSASSINATORS / GENERATION DECLINE / COUNTDOWN TO ARMAGEDDON / LEFT ASKEW
14 Seattle WA – With- Forward (japan)
15 Portland – TBA
16 Portland – @ THE KNOW
17 Eugene @ The Lazarus Pit
18 Arcata CA @Ink Annex -With- Kontrasekt / Frustration
19 Reno NV
20 Sacramento CA
21 Bay area – TBA
22 Bay area – TBA
23 LA – THREAT FEST
24 Riverside CA @ Blood Orange Info Shop 3485 University Ave,-With- WARTORN
25 Las Vegas NV
26 Albuquerque NM
27 AUSTIN TX
28 TBA
29 TBA

SATANIC MALFUNCTIONS – out now on Self Made God

A complete discography of one of the greatest bands to come out of United Kingdom is finally unleashed!
Double disc; 112 songs in total taken from: “Who Wants The World” EP (1986), “I Have Just Had All I Can Take” 7″EP (1987), songs from the split 7″EP w/ SM-70 (1988), “Teacore” 7″EP (1988), “Hellbound” LP (1988), “Disgrace To Humanity” LP (1989) and “Splitting Headache” 4-Way Split (1986). For the first time on CD! All recordings taken directly from vinyl to keep that awesome old days feeling.

Ranging from mid-tempo punk rock tunes to ultra fast noisecore/thrash songs with political lyrics, this is what SATANIC MALFUNCTIONS were all about.

A lesson of punk, hardcore, noisecore, thrash, grind history that has started long time ago along with bands like DISCHARGE, NAPALM DEATH, L’ARM, HERESY, SORE THROAT, FEAR OF GOD, ACTIVE MINDS, and inspired dozens of bands all over the world.

Insert includes liner notes written by Ade himself, an interview and clippings. This is a must have for fans of extremely fast punk, thrash and noise and above mentioned bands!

 

 

 

VOLTURE Breaking Rules!

•April 20, 2012 • Leave a Comment

 

HEAVY METAL FANS REJOICE!
Volture “Rulebreaker” 7″ is available now – shipping 4/25!
Richmond Heavy Metal Attack! Limited edition single featuring the hit “Rulebreaker” on the A side. B side rounds it out with a cover of Gotham City’s “Killer Angels”. Includes full color poster of art by Andrei Bouzikov (21×21″).
420 – yellow vinyl
100 – black vinyl
order 7″ : CLICK HERE

TERRORIZER Hordes of Zombies on Vinyl!

•April 20, 2012 • Leave a Comment